Automated Photography, ECAL, 2021
Automated Photography Exhibition, Platform-L, Seoul, September 2022, Image ECAL/Florian Amoser
Walk in the Forest, ECAL/Sally Jo, 2020
wasserturm(), ECAL/Philipp Klak, 2020
Until I Stop Trying to Get Out of My Skin, ECAL/Robin Bervini, 2020
Doing God’s Work with Other People’s Money, ECAL/Valentin Woeffray, 2020
As we melt, ECAL/Sara Bastai, 2020
All Watched Over by Machine of Loving Grace Ver 1.1b, ECAL/Emidio Battipaglia, 2020
Deep Fog, ECAL/Gaël Corboz, 2020
Fig.4 NASA's Hubble Space Telescope has revisited the famous Pillars of Creation, originally photographed in 1995, revealing a sharper and wider view of the structures in this visible-light image.
See what is left, ECAL/Philipp Klak, 2020
Fig.6 Image from page 82 of "The Biological bulletin"
See me in depth, ECAL/Gohan Keller, 2019
Automated Photography Newsletter
SELFIE RATS, ECAL/AUGUSTIN LIGNIER, 2021, CAMERA BOOTH AND RATS, PRINTS
SPLICER/FLORIAN AMOSER, 2021, PHOTOGRAPHIC SAMPLER, PRINT
For the past twenty years, many photographers have been integrating images produced autonomously by machines into their work. We witness a paradigm shift in the process of creating photography: From photographic capture in the strict sense to appropriation, automated and computational practices, which respond to a conception of space that is less and less built on the equivalence between the human eye and the machine.
I’m not a Robot